Wednesday, September 2, 2020

Stages of intervention in social work

Phases of mediation in social work CASE WORK ASSIGNMENT: Contextual investigation Presentation: â€Å"Social casework is a strategy for helping individuals separately through a coordinated relationship. It is utilized by expertly prepared social laborers in social work offices or associations to help individuals with their issues of social working. Issues of social working allude to circumstances worried about social jobs and their exhibition. (Mathew 1991)†. Presentation OF AGENCY: Vinimay trust is arranged in Koperkharaine, navi-mumbai (Maharastra State). Built up in 1981 and enrolled in 1989. It is a social work association [NGO] working for under-advantaged youngsters and youth remaining in, and rising out of, kid government assistance organizations. It is an association which run and oversaw by volunteers. Today it has in excess of 250 volunteers. It is working for youngsters and youth government assistance. It has a 3 story working in Koperkharaine name Tarun Sadan, where the young men stays It is basically working for youngster government assistance and youth welfare.in kid government assistance it orchestrated the numerous movement, similar to birthday festivity, arranging games and excursion and different occasion in various kid government assistance homes that goes under the kid government assistance division in Mumbai, alongside this it does youth government assistance action as recovery of the young men through an office of housing, sparing and diffe rent program, which encourages them to fit themselves in the bigger society. The young men here originate from different kid government assistance foundation with different foundation they need different help through the administration, through the general public and Vinimay trust is only a test of that. Any reasonable person would agree that the imperfections in the kid government assistance foundation, prompts the making of these kind of establishment. There are not all that numerous after consideration foundation in Mumbai and in these kind of situation, Vinimay trust stepped forward toward an equitable society. There are limit with respect to 52 young men in the Vinimay Trust who remain there for a long time from the date of affirmation and this procedure is going on since its foundation Though these young men have no personality and address evidence or different reports which are basic for living today and in the absence of these essential archives, they need to confront a few obstacle in the life So the young men who come here must need to open their ledger, Aadhar card, dish card, voter card inside half year from the date of confirmation here. Despite the fact that Vinimay trust accomplish these work and for that the nearby government body assume an essential job all the while. Contextual analysis: I have chosen the instance of Gajanand for the task. In spite of the fact that he was new to Tarun Sadan. Typically young men there played cricket, sitting in front of the TV in gathering. Prima facia he was likewise in the gathering however never talk a lot to anybody. Inside multi month he fled multiple times multiple times from the Tarun Sadan. Despite the fact that his experience, that were written in the document of Tarun Sadan and that data itself originate from past organization says that he has understanding of fleeing from home and from some foundation. He is utilized however he didn’t go to work consistently and he left the activity threefold. GENERAL INFORMATION: NAME-Gajanand ( name has been changed with the end goal of classification ) SEX-Male AGE-18 Training QUALIFICATION-sixth RELIGION-Hindu Name of the youngster government assistance establishment David Sussane Industrial School Family data no family data Date of affirmation in Tarun Sadan-5/04/2013 Mother’s name-no data Father’s name-no data Expertise half year fitter course from Maharastra State Board of Vocational Examination in June with First class. Unsafe propensity Tobacco Occupation detail Current business Tayyar Ho. K, Juinagar Position-maid Month to month pay 8500 Prior Employment Detail-Anand Hotel, Koperkharaine Life history He was living with his family yet he didn’t think about them. He ran from his home with his companion however he missed his companion some place in the train. His local spot is Islapur, Nanaded. He think his family is living in his local spot. He went to Pune once to meet his uncle yet he took him at Sarva Seva Sangh 0rg. He likewise fled from this association. WORKING WITH INDIVIDUAL-STAGE INVOLVED: There are seven phase are included while doing casework with person. These stage are as per the following:- Commitment Appraisal Arranging Execution Assessment End and Development Apparatuses AND TECHNIQUES: Tuning in Perception Meeting Home visits Relationship Methods: Acknowledgment Affirmation Encouraging Expression of emotions Support and Reassurance Being with the customer Passionate help In my field work there are exceptionally enormous extent of doing the casework study since its work for systematized individuals. First stage is Engagement in which there is an orderly investigation of customer, his/her circumstance identified with their concern. In this procedure, I gather data like what is the issue with the customer and what can be the related issue can be emerge with the issue. Despite the fact that the initial step is the most troublesome advance for any person. The most effective method to collaborate, how to construct compatibility with them, how to make him allowed to shout out. At the point when I initially met with my customer, it was mistaking second for me. As I attempted to converse with him, when I says hello bhai, idhar aao, he took a gander at me and fled from that point and all the young men who were playing cricket there, giggle at me. After that at whatever point I attempted to chat with him, he didn’t react me fittingly as though he was dreading from me. He never took a gander at me appropriately however when I went to close by park with some different young men of Ta run Sadan, I took him additionally and that outing was the ice-breaking between us. During the procedure of commitment I utilized a few apparatuses and method on different event. The fundamental occupant for any social laborer is acknowledgment and hear them out, what they are stating. In this stage I utilized tuning in, meeting and perception by utilizing practically all the method. Prior the customer was not conversing with me yet through these strategies, it make a domain there where he feel good and afterward my meeting occur. In spite of the fact that it was anything but an onetime meeting, it was a progressing procedure. There I watch some conduct in the customer and that is Being contemplative person Bashful Not addressing a large portion of the young men Not carrying out the responsibility appropriately Some little Memory of his family Solid assurance to go to his family Separately attempted to follow his family Terrible memory of youngster government assistance organization Not great recognition on ladies However, he was modest when he got comfortable with me He didn’t whine a lot about anyone No sweetheart and not concentrated on that Says he will wed as their folks wish In second stage, it incorporates appraisal, which planned for discovering answers to three significant inquiries: what is the issue? How it has emerged? What should be possible to fathom it? The need of social appraisal is that of making a calculated image of the issue, which will help in choosing the activity plan. It is the need to comprehend the structure of the character and factors affecting and deterring character improvement. In this stage I made sense of different episodes affected his accept framework and a solid connection to his memory of his family. He fled from his home, from Pune and from Tarun Sadan. The factor prompting leave his house was only a stream with his companion however after that he understood that what he is missing and that recognizable consideration and backing, that connection to his family. Despite the fact that the time he left his home he was 8 years of the age and he has little memory of his home. Just he know is his town and some memory of the stat ion where he gets the train from his home. However, one thing is clear is that because of his internal inclination to go to his family prompts different other circumstance where he isn't adoring his activity, fleeing from Tarun Sadan and being timid is a result of that. In spite of the fact that he remains with three flat mate who has family in his town and different has sister, so this rehashed articulation of the connection to the group of his flat mates additionally constrained him to consider his family. Through during pretty much every procedure I utilized all the methods that composed above and with respect to devices aside from home visit I utilized all. So the serious issue I found in his circumstance is that Natural memory Mental help Absence of certainty Not accepting on others Dread of obscure Dithering to chat with other Third stage is arranging in which specialist should make the arrangement for continuing the case that how they continue and how they start. Along these lines, my arranging was Directing help Following his family Make a domain where he feels good and doesn’t dither to chatting with others More participate in employments and entertainment action Attempt to scan a superior business choice for him In spite of the fact that for my situation evaluation, arranging and usage cover numerous multiple times. Now and again what I comprehended about my customers some part of his conduct prior was changed after some occurrence. I am simply giving a case of him is that when I first however that it’s his sluggishness that why he isn't having any desire to go to work yet with thorough commitment and examination of the circumstance it came that it was his fixation for his family that caught his brain so much that he doesn’t think past it. So prior what I arranged switched as I came up through new perspectives. Fourth stage is Implementation or intercession in which there are the helping exercises for the customer known as mediation. This progression needs to mix with the game plan following social appraisal. There are numerous courses through customer can benefit from outside intervention like help with terms of passionate and solid help, material things like cash, articles, drugs and so on non-material assets like data and information, by getting change human and physical condition and through directing to encourage change in

Saturday, August 22, 2020

LORD OF THE FLIES The Stronger free essay sample

Ruler OF THE FLIES: The Stronger Of The Two Essay, Research Paper Ruler OF THE FLIES The Stronger of the Two By Alana Rush In the book, Lord of the Flies, composed by William Golding, there are 2 boss characters who become restricting pioneers. Jack, the totalitarianist, and Ralph, the Democrat. Jack is the more grounded of the two, and the better head for some grounds. He has power over the male childs and verifies that they? re lounging themselves, Jack comprehends what is required for perseverance and has all the achievements vital for a decent pioneer. Jack is demonstrated holding a solid manus over the chorale. This shows his capacity to move as a pioneer. His hawkish activities and conclusions other than make him great regarded among the male childs. They consider him holding an immovable manus and a solid feeling of intensity. He lets the other male childs divide the force as great. We will compose a custom article test on Ruler OF THE FLIES The Stronger or on the other hand any comparative point explicitly for you Don't WasteYour Time Recruit WRITER Just 13.90/page In certain occurrences, those permitted power abuse that privilege and stain Jack? s notoriety as a productive pioneer. Roger, the cruel person torturer, merciless went on his ain lead and made Jack articulation terrible. Jack, by and by, had the option to turn out lt ;< br/> that he realized what was ideal and that he wasn? Ts genuinely part of Ralph? s indecency mystery plan. Jack has certain characteristics that are expected to do a decent pioneer. Allure, driving capacities, and surpassing force control are just a couple. He other than knew how to endure. He was the 1 who propelled the Hunt that furnished the male childs with new meat, rather than Ralph, who, as composed by Golding ( p.72 ) , ? Said no more, did nil, stood looking down. ? He other than gave fire and the components fundamental for stable mental wellbeing, each piece great as solid form. Jack had the option to accept quickly, make the best of a situation and do conclusions in the best association of the full gathering. Golding composed ( p.20 ) that, ? Merridew # 8230 ; made the best of an awful employment. ? Jack discovered supplement when no 1 else was capable and given development in the lives of the brute young men. Jack is clearly the more grounded pioneer. Did all the male childs non fall in his people, all things considered? With expedient funniness, cognizance of continuance and remarkable control, he was a fortunate pioneer. In choice, Jack was most unequivocally and top of the line head.

Friday, August 21, 2020

Michelangelo Biography free essay sample

Here, he appreciated a large number of crafted by Giotto and applied his oversimplified at this point amazing style onto his canvas, replicating the artist’s figures in an incredibly exact way (Ripley, page 8). Lorenzo de’ Medici, known as the Magnificent for his masterful blessing and wealth, moved toward Michelangelo one day. Not long after, he moved to Lorenzo’s royal residence and started to make the most of his cheerful life. In the religious community of San Spirito, there was a medical clinic that youthful Michelangelo would frequently visit. In spite of the fact that a few people in Florence considered analyzing bodies to be wicked, Michelangelo owed quite a bit of his insight into the human life structures to such acts (Ripley, page 16). All through the remainder of his normal life, Michelangelo was charged numerous undertakings. Which were all, incredibly charming and apparently delivered another style of extraordinary authenticity to the field of figure. Michelangelo was a new face in his timeframe. His craft was spotless and unadulterated, and each detail was cut with exact consideration and work. We will compose a custom exposition test on Michelangelo Biography or then again any comparable theme explicitly for you Don't WasteYour Time Recruit WRITER Just 13.90/page Naturally introduced to the High Renaissance time which was very notable for including humanism, an unequivocal light source, more naturalism, and no radiances on angelshe before long turned into a powerful painter in the advancement of Mannerismâ€a period that was ordered by conflicting hues, unusually extended appendages, feeling, peculiar subjects, and an indistinct light source, which was totally not quite the same as the High Renaissance wherein Michelangelo was birthed into. Michelangelo, as a craftsman, was somewhat comparatively radical. While different craftsmen were all the while endeavoring to ace the human life structures, Michelangelo was at that point acing the outward appearances that could accurately be deciphered as whatever feeling the figure was intended to have. He had just aced human life systems. Similarly as with the Pieta design, his ability started to leak through the hammer and onto the marble, as his works woke up. Individuals were astounded with regards to how he could catch the virtue of the Mother of Christ, while applying the physical life of an agnostic sculpture (Ripley, page 24). The figure of Bacchus, the Greek divine force of wine, was cut in a shiny new point of view. Rather than a matured man of insight, Michelangelo’s adaptation of Bacchus can be depicted as energetic and attractive. Again, individuals are enraptured by Michelangelo’s wonderful and interesting translation of their god (Riley, page 22). Michelangelo was likewise a man of religion. He experienced the Catholic confidence, and this might be the motivation behind why he vivaciously took a shot at the Pieta form for the Saint Peter’s church. He rested small during this undertaking, however when he had finished it he was so pleased with his work that he cut his name in the strip that stumbled into the Virgin’s bosom (Riley, page 24). Michelangelo had an extremely particular workmanship style. He, be that as it may, approaches the crowd in a progressively meek way. The entirety of his works are special and are made in his careful picture. He barely utilized models; a large portion of the figures are produced using the manner in which he envisioned it. There are no outskirts on the individuals, they move unreservedly while keeping a tight broad structure. Michelangelo looked into the human life structures, and this appeared in his work. Leonardo DaVinci likewise incredibly esteemed the human life systems, and set aside some effort to examine it. His craft incorporates enthusiasm and through his science you can see knowledge and innovativeness. He was captivated with how things functioned, and made numerous commitments to the universe of science, just as the universe of workmanship. The bigger contrast in their styles of workmanship is the manner in which they depict individuals. Leonardo appears to structure his figures in positions that individuals can without much of a stretch identify with. He gives them movements and articulations and permits them to perform and go about as if they were truly individuals. From this, spectators can without much of a stretch identify with Leonardo’s workmanship. He additionally gives them milder looking skin, which causes them to appear to be practically genuine. The hues and shades he applies bring the robes and drapery they wear to life and the profundity rises up out of their body, realizing Leonardo’s information on human life systems. Michelangelo’s capacities bring him considerably farther than this. His forming aptitudes are aced to where the outcome has all the earmarks of being a picture solidified in time. He can take a picture from his head and shape it precisely as he sees fit, and the authenticity is stunning to such an extent that one can't resist the opportunity to expand. Leonardo’s piece, The Annunciation, includes a heavenly attendant talking with the Virgin Mary. In contrast with Michelangelo’s Kneeing Angel with a Candlestick, the robe’s on Leonardo’s blessed messenger fall rather firmly, and the folds give off an impression of being marginally direct, however you can see him fanning out into a smoother feel than different craftsmen in the Renaissance period. The robes on Michelangelo’s blessed messenger fall easily and appear to clear over the middle and stooping legs, commending the structure and focusing on more the significant bits of the figure, for example, the outward appearance and the fragile wings on his back. Leonardo’s wings are held up high, transcending the angel’s head. It seems as though the holy messenger can take off straight out of the work of art. The paint is a darker shade to show lighting and give the wings profundity (Gilbert, page 18). In Michelangelo’s sculpture, the wings are collapsed behind the back as he bows. He is resting nearly, as he presents the crowd with a flame that he holds near his body. The casual stance wherein he is introduced is totally different in contrast with Leonardo’s heavenly attendant, which looks somewhat genuine as he talks. Michelangelo’s holy messenger appears to be more hopeless it could be said. He could be stooping before God, so he wears a grave articulation (Riley, page 20). Leonardo’s blessed messenger is strikingly reasonable, however it stays to be only a painting. When taking a gander at Michelangelo’s mold, notwithstanding, his authenticity is stunning and picture great. Both are pieces in which the crowd can identify with, and it is clear why the craftsmen are, right up 'til the present time, very popular in the realm of craftsmanship. Michelangelo’s work is most notable for being very practical, and so as to accomplish this he examined the numerous assortments of craftsmanship. This incorporated the components of structure. He had the option to just envision a picture in his own similarity, hold the hammer in his grasp and toss out the ideal plan onto the marble base. Michelangelo’s craftsmanship is particular for some reasons, one of which being the way that the model looks precisely like an individual. He shapes every sculpture as though it is genuine, making a point to remember appropriate surface for the garments and strands of hair. He effectively extents the human life systems, and the figures he plans are administered by the severe laws of balance and geometric structure. Michelangelo feels as if the appendages ought to never project from the body, and it was likely a standard that nothing should stand out. He makes the figures as delightful but then the multifaceted nature is sufficiently straightforward to permit the watchers to shape accounts of their own. The lines in the drapery are bended lines, and they stream together to seem gentler, regardless of whether the greater part of his works are made out of marble (Gromling, page 22). Similar ideas apply to Michelangelo’s works of art, just when he paints with oils and gum based paint, the hues breath life into the individuals on the canvas. He generally makes a point to focus his pieces, never releasing the principle thought off track. The central focuses apparently have the most detail, however the foundation pictures are key parts to each function also. His characters are full and strong, without being excessively enormous. Michelangelo liked to think as a model instead of a painter, even while painting. Firm diagrams of the bodies and solid figures with nitty gritty concealing and delineating give the possibility that the figures are three dimensional (Gromling, page 28). While chiseling, Michelangelo apparently inclines toward utilizing marble. Maybe on the grounds that it showed up as a gentler material than other harsher stones, and the light shading could without much of a stretch give the presence of skin. Michelangelo barely presented a figure or painting with a particular message. Rather, he applies imagery in the way that he positions the figures, and cuts their appearances. Their sentiments reflect apparently, yet stay on their countenances. The vast majority of the anguish, satisfaction, or outrage they feel is communicated deep down, and it is dependent upon the watcher to translate the message of the figure. In a significant number of Michelangelo’s work, he applies new appearance to old figures. The notable Catholic picture of a more established, smarter, Virgin Mary was basically stripped away when Michelangelo cut the Pieta. The message behind the marble might be Michelangelo’s own impression of how his young Mary shows up. He considers her to be a youthful mother who has lost her lone child, and in this manner depicts her as so. (Ripley, page 24) Another impression of Michelangelo’s is the stunning new picture of the agnostic god, Bacchus. Generally depicted as a more seasoned, amazingly strong man, Michelangelo has etched Bacchus as another young figure, inebriated from the fine wine in his cup. He has a lighter climate about him, which is totally one of a kind in contrast with the normal Bacchus discernment. The message might be indicating he imprudence of an inebriated youth, explained by the robes that have been evacuated and the standing situation wherein youthful Bacchus is in. The grapes laced in his wavy hair speak to the way that he is the lord of wine, just as the full glass of new wine in his grasp. Michelangelo had a propensity for practically sneaking in select highlights that disentangle who the point of convergence of the model genuinely is. By doing this, he nearly makes a demeanor of riddle, leaving some space for thought for the watchers (Ripley, page 28). One craftsman that might be intriguing to look at Mic

Thursday, June 4, 2020

Bad Girl of Japan Essay - 1375 Words

Bad Girl of Japan (Book Review Sample) Content: Book Review "Bad girl of Japanà ¢Ã¢â€š ¬Ã‚ Name:Professor:Institution:Date of submission:Bad Girls of Japanà ¢Ã¢â€š ¬Ã‹Å"Bad Girl of Japan" is a collection of different stories about women and how they are portrayed in Japan at different generation and different places. From the title of the book, "bad" means the act of defying the notion of feminine conduct while "girl" is used to refer to female empowerment. The book was published in 2005 in hardcover and paperback in 2007.The editors of the book are Jan Bardsley and Laura Miller. Laura Miller works at Loyola University as an associate professor of anthropology while Bardsley is also an associate professor in the sector of Japanese humanities at the University of North Carolina. Bardsley and Miller have a collection of tales of bad- girls from Filipinas to school girls, from geisha to fashionistas and from crones to idols. In their descriptions, the editors frame the bad girls in a manner that that reflects the h istorical and contemporary issues of gender, race, sexuality modernity, and class. In the book, a girl who is deemed to be a bad girl in one era turns out to be a model of womanhood in another era.The book begins with an essay about women of Japanese folklore who were demonic. They include carnivoresà ¢Ã¢â€š ¬ mountain witch, the Yamamba and the jilted lover who turned into a giant monster snake in the Dojoji myth. Other essays in the book include Meiji schoolgirls, Koga, geisha and shopping mavens like the Afore mentioned Abe Sada (who had erotic escapades that were over-hyped in films such as In the Realm of the Senses) as well as Nakamura Usagi ( who was a brand addict)and Yoshiya Nabuko ( the one whose flower tales helped in establishing the narrative style in Shojo).In short the book is about women in the Japanese culture and history and how their behaviors have been in the modern and contemporary Japan. The book reads like an alternate cultural history that has been inform ed by different academic discipline and focuses. It is written in short essays, and due to that fact each writer is forced to point out the most essential features in the topic that they have written in a way that is efficient to allow the readers understand his point of view. The book is also designed in a way that it upsets the common ideas of the Japanese culture, and none of the essays makes culture essential by overgeneralization.In the book, the author explains that there are differences among bad girls and not all bad girls are equal. When a woman is called her behavior or characteristic either as "bad" or "evilà ¢Ã¢â€š ¬Ã‚ , is very important to men, it makes them feel more masculine. This is because it places the women in a position that is harmless especially when in a relationship that is male dominated. This ploy is used with an intention of weakening the power of women. So that they can always be voiceless in a society that is male dominated. From the authors view, ba d girls are seen to be bad because they are a threat to the male dominated society. For example in "bad girls confined: Okuni, Geisha and the negotiation of female performance space" which is among the stories of the bad girls in Japan, gives an explanation why the geisha girls are viewed to be bad in the West and Japan. It explains how bad the women are. Foreman bases his argument in the interaction between a geisha and the Westerners and how the performance arts evolved ('Bad Girls Of Japan' 2006). In his explanation, the Foreman says that geisha women are the women who study Japanese classical music and are dancers. They dance and perform music during parties so that they can get money to pay for their lessons in art; they elaborate stage performance and are officially registered. Geisha women spend their entire life in artistic career instead of getting married and giving birth. There lifestyle is against the female virtues, and this is encouraged by a society that is male domin ated. This chapter is important in understanding geisha especially after the distortions that occur in Memoirs of a Geisha movie (James and Mulloy 2005).The book has contributed significantly in genders studies in relation to Japan, although there are some omissions that are considered as significant. The authors of bad girls in Japan do not explain how the badness that is usually in bad girls helps in gender distinctions or assist in developing gender relations, although the editors have noted it a point that they will consider. For example in "Branded bad girls go shopping" Hiroko Hirakawa and Bradley write about a bad girl who is a brand addict by the name Nakamura Usagi. In the story, it is explained how she lavished all her money in brand shopping after she earned a fortune and became famous through novel writing. Nakamura penetrates the social structure together with the functions of the brand product that are within it, notwithstanding the fact that she is a brand addict. In her view, one feels superior when he buys and wears brand products in the gendered capitalist world. She is deemed to be bad because of this point on brand products (Miller and Bardsley 2005).The author when explaining about Nakamura, he says that Nakamura believes that wealth and successful careers are among the identity of a heterosexual masculine identity but for heterosexual women, this is not the case. She also believes that a woman is guaranteed of male suitors if she is pretty and not because of having a successful career and therefore she wonà ¢Ã¢â€š ¬t satisfy her feminine identity. Nakamura spends the fortune that she learns on her favorite male host, on buying brand goods and on cosmetic surgery so that she can quench her heterosexual feminine identity. The author portrays Nakamura as a woman who knows what she wants in a gendered capitalist society that compels women to choose either heterosexual relationship of economic power that satisfy feminine identity (Miller and Bardsley 2005).The book provides a fascinating insight on how Japanese women are imagined and presented. It shows how b...

Wednesday, May 6, 2020

Stopping the Clock An Argument for the End of Age and...

Trash and aging go hand in hand. Take for example a pair of shoes. When a person uses a pair of shoes consistently, the soles will begin to wear down and holes begin to form. A person may repair the sole and patch up the holes, but eventually there comes a time when the well-worn shoe is beyond repair and it is time to chuck them in the trash bin. Trash is made up of things that have aged to the point of uselessness; things that have become undesired and worthless. A person can easily tell when an item is no longer of use to them, but controversy ensues when a person attempts to determine when a human being begins to lose their usefulness. Aging is a fact of life, but how a society deals with this fact varies. In today’s American consumer†¦show more content†¦The fact that he is in a class high enough to allow him to choose when and if he wants to deal with garbage means that he is not forced to have a relationship with trash. Calvino is able to escape being labelled as garbage because he chooses to perform the task of taking it out. He is privileged because he is not forced to deal with trash in the way the group of people that Spelman talks about next in the chapter are forced. The third and final example in Spelman’s chapter, â€Å"On taking Out the Trash†, takes us to India. The section begins with a brief explanation of the caste system in India to help the reader better understand the social context in which the group that has the relationship with trash is situated. The Dalit’s, or the ‘Untouchables’ are a group of people that are quite unlike Calvino. They are a group that is born into their relationship with trash and so they cannot free themselves from the stigmatization that comes with trash. A person that is a Dalit is expected to deal with filth and garbage. They are the designated cleaners, and they themselves can never completely cleanse themselves of this designation. Their stigmatization is obvious because they are labelled untouchables. They are equated with the garbage they handle. Even though they may be in actuality more clean or cleanly than people of another caste, the connection between their job and t heir identity is unbreakable. Spelman makes clear that even â€Å"a clean Dalit remains impure† (20). TheShow MoreRelatedFundamentals of Hrm263904 Words   |  1056 PagesWorkshop 49 Guarding Against Discrimination Practices 65 DID YOU KNOW?: Is a Problem Brewing? 66 Determining Potential Discriminatory Practices 66 The 4/5ths Rule 66 Restricted Policy 66 Geographical Comparisons 67 McDonnell-Douglas Test 67 Responding to an EEO Charge 67 Business Necessity 68 Bona Fide Occupational Qualifications 68 Seniority Systems 68 Selected Relevant Supreme Court Cases 69 Cases Concerning Discrimination 69 Cases Concerning Reverse Discrimination 71 ETHICAL ISSUES IN HRM:Read MoreExploring Corporate Strategy - Case164366 Words   |  658 Pagesbackbone to a programme of study but could sensibly be supplemented by other material. We have provided a mixture of longer and shorter cases to increase the ï ¬â€šexibility for teachers. Combined with the illustrations and the short case examples at the end of each chapter (in both versions of the book) this increases the reader’s and tutor’s choice. For example, when deciding on material for Chapter 2, the case example, Global Forces and the European Brewing Industry, tests a reader’s understanding ofRead MoreDeveloping Management Skills404131 Words   |  1617 Pagesyou to seek out skill practice opportunities in all aspects of your life, including working in assigned teams in this and other courses, planning social events for a campus or communi ty organization, counseling a troubled sibling or friend, managing end-of-semester deadlines, or handling a difficult issue with a boy/girlfriend or spouse. The sooner you begin—and the more you persist in—practicing what you learn in this course, the more you’ll be able to count on these skills as â€Å"automatic responses†Read More_x000C_Introduction to Statistics and Data Analysis355457 Words   |  1422 PagesFit of a Line 221 5.4 Nonlinear Relationships and Transformations 238 5.5 Logistic Regression (Optional) 255 5.6 Interpreting and Communicating the Results of Statistical Analyses 264 Activity 5.1 Exploring Correlation and Regression 267 Activity 5.2 Age and Flexibility 268 Graphing Calculator Explorations 272 6 Probability 279 6.1 Chance Experiments and Events 279 6.2 Deï ¬ nition of Probability 288 ââ€"   Contents ix 6.3 Basic Properties of Probability 295 6.4 Conditional Probability 302

Tuesday, May 5, 2020

Englands Greatest Poet And Playwright Was Born At Essay Example For Students

Englands Greatest Poet And Playwright Was Born At Essay Englands greatest poet and playwright was born atStratford-upon-Avon, the son of a tradesman andAlderman of Stratford, John Shakespeare in 1564. William, the eldest son, and third child (of eight) wasbaptised on 26th April 1564 and probably educated atStratford Grammar School, but little isknown of his life up to his eighteenth year. He did notgo to University and his younger contemporary andfellow-dramatist, Ben Johnson, would later speakdisparagingly of his small Latin, and less Greek inthe eulogy prefaced to the Firs Folio. However theGrammar School curriculum would have provided aformidable linguistic, and to some extent literary,education. Although, in 1575 when he was eleven, there was agreat plague in the country and Queen Elizabethjourneyed out of London to avoid its consequences andstayed for several days at Kenilworth Castle nearStratford enjoying festivities arranged by her hostLord Leicester. It is probable these events may havemade a strong impact on the mind of young William. At the age of Eighteen, he married Anne Hathaway, eightyears his senior. Five years later he left for London. William worked at the Globe Theatre and appeared inmany small parts. He first appeared in public as a poetin 1593 with his Venus and Adonis and the followingyear with The Rape of Lucrece. He became jointproprietor of The Globe and also had an interest in theBlackfriars Theatre. The play writing commenced in 1595 and of the 38 playsthat comprise the Shakespeare Cannon, 36 were publishedin the 1st Folio of 1623, of which 18 had beenpublished in his lifetime in what are termed the Quartopublications. Loves Labours Lost and The Comedy of Errors appearto be among the earliest, being followed by The TwoGentlemen of Verona and Romeo and Juliet. Then followedHenry VI, Richard III, Richard II, Titus Andronicus,The Taming of the Shrew, King John, The Merchant ofVenice, A Midsummer Nights Dream, Alls Well that EndsWell, Henry IV, The Merry Wives of Windsor, Henry V,Much Ado about Nothing, As you like it, Twelth Night,Julius Caesar, Hamlet, Troilus and Cressida, Othello,Measure for Measure, Macbeth, King Lear, Timon ofAthens, Pericles, Antony and Cleopatra, Coriolanus,Cymbeline, A Winters Tale, The Tempest, Henry VIII andThe Two Noble Kinsmen. When he retired from writing in 1611, he returned toStratford to live in a house which he had built for hisfamily. His only son, Hamnet died when still a child. He also lost a daughter Judith (twin to Hamnet), buthis third child Susanna married a Stratford Doctor,John Hall and their home Halls Croft is todaypreserved as one of the Shakespeare Properties andadministered by the Shakespeare Birthplace Trust. In 1616 Shakespeare was buried in the Church of theHoly Trinity the same Church where he wasbaptised in 1564. Tradition has it that he died afteran evenings drinking with some of his theatrefriends. His gravestone bears the words:-Good frend for Jesus sake forebeare,to digg the dust encloased heare,Bleste be ye man yt spares thes stones,And curst be he yt moves my bones. In his will Shakespeare left his wife, the former AnneHathaway, his second best bed. We cannot be sure of thereason for this. It may have been the marital bed thebest bed being reserved for guests. It may suggest thatthey had a not altogether happy marriage whichnevertheless produced three children, Susanna, born onMay 26th 1583 and twins , Hamnet and Judith, born onFebruary 2nd 1585. These entries appear in the HolyTrinity Register. .u27e1ff1596631c77763aff06e9d0e22c , .u27e1ff1596631c77763aff06e9d0e22c .postImageUrl , .u27e1ff1596631c77763aff06e9d0e22c .centered-text-area { min-height: 80px; position: relative; } .u27e1ff1596631c77763aff06e9d0e22c , .u27e1ff1596631c77763aff06e9d0e22c:hover , .u27e1ff1596631c77763aff06e9d0e22c:visited , .u27e1ff1596631c77763aff06e9d0e22c:active { border:0!important; } .u27e1ff1596631c77763aff06e9d0e22c .clearfix:after { content: ""; display: table; clear: both; } .u27e1ff1596631c77763aff06e9d0e22c { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u27e1ff1596631c77763aff06e9d0e22c:active , .u27e1ff1596631c77763aff06e9d0e22c:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u27e1ff1596631c77763aff06e9d0e22c .centered-text-area { width: 100%; position: relative ; } .u27e1ff1596631c77763aff06e9d0e22c .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u27e1ff1596631c77763aff06e9d0e22c .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u27e1ff1596631c77763aff06e9d0e22c .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u27e1ff1596631c77763aff06e9d0e22c:hover .ctaButton { background-color: #34495E!important; } .u27e1ff1596631c77763aff06e9d0e22c .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u27e1ff1596631c77763aff06e9d0e22c .u27e1ff1596631c77763aff06e9d0e22c-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u27e1ff1596631c77763aff06e9d0e22c:after { content: ""; display: block; clear: both; } READ: I Do or Please Don't: Hawaii's Same Sex Marriages EssayThere is no direct evidence of the marriage of WilliamShakespeare to Anne Hathaway although most historiansaccept that an entry in the Bishops Register atWorcester in November 1582 regarding the issue of amarriage licence to William Shaxpere and Anne Whateleyof Temple Grafton does not refer to the famous bard. However the following day a guarantee of ?40 wasundertaken in Stratford by two yeomen of the townagainst the prevention of the legal marriage of WilliamShagspere and Anne Hathway on only one reading of thebanns. In 1582 , ?40 was a considerable sum of moneyand one cannot believe that the simple fact of Annesbeing three months pregnant would warrant it. Nomarriage of an Anne Whatelely has ever been traced,neither has the marriage of Anne Hathway, but lack ofrecord does not mean that it did not happen.

Sunday, April 19, 2020

My Last Duchess Essays (462 words) - My Last Duchess,

My Last Duchess A dramatic monologue is defined as a poem in which a single character is speaking to a person or persons- usually about an important topic. The purpose of most dramatic monologues is to provide the reader with an overall or intimate view of the character's personality. A great poet can use punctuation and rhythm to make the poem appear as if it were an actual conversation. Robert Browning, known as the father of the dramatic monologue, does this in his poem, "My Last Duchess." The Duke of Ferrara, the speaker in "My Last Duchess," is portrayed as a jealous, arrogant man who is very controlling over his wife. The Duke of Ferrara was made jealous by everything the duchess did, no matter how unimportant it was. He was especially jealous of Fra Pandolf, the man who painted the duchess in the poem. A woman should be pleased only by her husband, as was not the case with the duchess and Fra Pandolf. She was "too easily impressed" by the painter (line 23). Fra Pandolf was not the only man that made the duke jealous. Everyone who passed the duchess received "much the same smile" as the duke (line 44). The duke expected to be the only man to receive a smile from his wife. Another aspect of the duke's character addressed in the poem is his condescending attitude. Two times in the poem the duke needlessly told the names of the artists who created the masterpieces that he owned (lines 3 & 56). He felt superiority over the emissary he was speaking to by dropping these names. The duke addressed the emissary as a"never read stranger" (line 6). Not only was it patronizing for the duke to call him a stranger, but he called him unintelligent too. The third character trait of the duke is his controlling behavior. In lines nine and ten he told the emissary that no one "puts by the curtain" that he had drawn for him but the duke himself. He felt the need to control who ever looked at the painting of the duchess. The main evidence of his dominating behavior is in line 46. The line reads, "...then all smiles stopped together." The line is ambiguous, but the most likely interpretation is that the duke had his wife killed. The poem can be interpreted in several different ways, but in all cases the duke is a very controlling man. Although "My Last Duchess" was set centuries in the past, lessons can be learned from it and used in today's society. No single moral lies beneath the poem but if one had to be found, it would be the golden rule. Do unto others as you would like them to do unto you. One would surely agree that the duke gained nothing by being the way he was. Nothing but kindness gets a person ahead, no matter what society that person is from.